artwork by Carol Seeley

MASTER OF THE SKIES by Carol Seeley

Sunday, October 13, 2013

Dahlia: Thelma Newbury, Katie Stein Sather



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Dahlia
Representational
Thelma Newbury

A friend’s garden had this wonderful Dahlia.  I called this piece Dazzling Dahlia.Techniques: Hand painted fabric, appliqué and free motion stitching.

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Dahlia
Abstract
Katie Stein Sather
Dahlia Exploded!

Techniques: appliqué, piecing, hand-dyed & commercial cottons, machine quilting.


Fifties Flair: Val Wilson, Brandy Lynn Masloski


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Fifties Flare
Representational
Valerie Wilson

The 50s were the heyday of the automobile with the chrome and the large fins. I am fascinated by vintage cars. I chose to base my design on a photo with a wonderful perspective.
Techniques: Fused appliqué, machine quilting and coloured pencil.


Process



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Fifties Flare
Abstract
Brandy Maslowski

This modern abstraction ties in the monochromatic retro colour scheme with a punch. The red bits signify the tail lights from then until now. The straight and narrow road lets us travel for generations to find that we still love and cherish those old tunes that sometime soothe and other times rock our socks off. 
Techniques:
Modern piecing, free motion quilting, satin stitch and facing.

Process: Modern piecing, free motion quilting, satin stitch 

Glenn Gould: Jenny Perry, Victoria Gray


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Glenn Gould
Representative
Jenny Perry
Canadian pianist Glenn Gould is world renowned for his mastery of the piano, particularly his interpretations of the music of J.S. Bach. He is just as well known for wearing gloves and choosing an old chair over a standard piano bench when he played. 





Using paint, fabric, and thread, I interpreted "The Real Glenn Gould" from a photograph of Glenn Gould by Ormond Gigli 
(used with permission).

Process:

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 Glenn Gould
Abstract
Victoria Gray

The eccentric Pianist Glenn Gould in the abstract!  Glenn Gould, the iconic Canadian pianist, is probably as well known for his eccentricities as for his mastery of the piano, particularly his interpretations of the music of J.S. Bach.  Incorporating some of the same fabrics used by Jenny Perry in her realistic portrait, I have portrayed Glenn Gould abstractedly by creating a flowing musical background and including a keyboard and the characteristic fingerless gloves unique to this man all of which should make him easily recognizable to the viewer.

Techniques: 
Acrylic paint on fabric, machine appliqué, machine quilting, thread painting





Piecing in progress

Great Blue: Judy Weiss, Sharon Rubuliak



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 Great Blue
Representative
Judy Weiss

Blue Herons inhabit many parts of North America. This particular one posed proudly for me in a sculpture garden in South Carolina in 2008. With his chest puffed out, eyes fixed, and standing perfectly still, it felt as if he was a part of the display! He has waited patiently until now for his portrait to be unveiled.

Techniques: Piecing, appliqué, painted silk, machine quilting










Process:
My process starts with thumbnail sketches,
then larger drawings,
 and then a full size sketch 
which I will use to develop the finished piece. 



The final placement photo shows the diamond sections, the heron and the grass appliqué pinned to the hand-painted silk used for the water. The diamonds would be machine-sewn to the silk by turned appliqué, and the grasses were fused in place. The now-completed base was laid over batting, ready for the heron to be added.
My goal for the heron was to raise him above the surface of the rest of the work. To give him extra loft, he was ‘trapuntoed’. A layer of batting was placed under him, and the highlights of his feathers, head, eye, beak and chest were stitched. The batting was cut away as closely as possible from the body, and he was stitched to the background. The effect was that he popped forward toward the viewer. 

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 Great Blue
Abstract
Sharon Rubuliak

The Great Blue Heron is a familiar sight wading or hunting in wetlands. We know the hallmarks - long sharp bill, crooked neck, slate blue flight feathers, hunched shoulders, plume-like chest feathers and long articulated legs. 
Patient watching nets the viewer 
a ring of ripples as the hunter 
spears a meal.

Techniques: gel glue resist, stenciling, hand painting, hand and machine quilting.

Process:
Glue resist

Saturday, October 12, 2013

Hawaiian Beauty: Leslie Forbes, Vivian Kapusta




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Statement:
Hawaiian Beauty
Representative
Leslie Forbes
Vivian made me do it (enter the show)! We both love flowers and gardening.
Techniques: Fabric: ice dyed fabric. Appliqué, embellishment, trapunto and machine quilted. Photo credit: Vivian Kapusta



Process


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Statement:
Hawaiian Beauty
Abstract
Vivian Kapusta

Hawaii is my special vacation spot and the hibiscus is one of my favorite flowers. Their variety and colours are amazing! I chose to focus on the pistil and stamens … waving in the breeze, enticing insects to do their part in reproduction.
Techniques:  Fabric painting, appliqué, beading and machine quilting. Materials: silk and cotton.