Original photo ... Terry's Representational work ... Anne's abstract piece. |
Terry Aske |
detail |
Solitude
Representational
Terry Aske
A solitary bench overlooking the Juan de Fuca Strait and the hills of the Olympic Peninsula provides a peaceful and perfect place to enjoy moments of solitude.
Techniques: Fused raw-edge appliqué, fused turned-edge appliqué, and free-motion machine quilting. The binding is turned entirely to the back, as a facing.
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Anne deVerteuil |
detail |
Solitude
Abstract
Anne de Verteuil
Based on a photo my sister took a few years ago at the
Point-No-Point Resort on Vancouver Island. It was a challenge to take this
photo and make it abstract and yet recognizable. Using my own hand dyed fabrics
is important to me. I am more of a mixed media artist than a quilter so I had
to add a non-traditional element with the "aged" paper I found a few
months ago on a walk. I fused it to chiffon as a backing with tulle overtop and
then stitched it to the background fabric.
Techniques: hand dyed fabric, aged paper fused to chiffon
and net, fused raw edge appliqué, free motion quitting. The binding is turned
entirely to the back as a facing.
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Process:
Terry Aske and Anne de Verteuil are sisters.
We’ve admired each other’s work for years, and were thrilled to have
this opportunity to work as partners. Terry
made the representative art quilt, and Anne created the abstract piece.
Our starting image was a photo Terry took several years ago
at the Point-No-Point Resort on Vancouver Island, of a solitary red bench
overlooking the Juan de Fuca Strait and the hills of the Olympic
Peninsula. To Terry, the photo
represents a peaceful and perfect place to enjoy moments of solitude. Anne was struck by the contrast of the curves
and the horizontal line of the red bench – “like a little horizontal surprise
in a vertical image”.
During the design process, we traded some of our fabrics to
ensure we had similar color choices. We
shared our progress by emailing photos to each other. When both pieces were finished, we met to
view and admire each other’s work .
Process photos:
Terry’s initial fabric selection |
Anne’s fabrics prepared for vat dying |
Anne’s initial fabric selection |
I am always awed by Terry's work. Now to see sister Anne's companion piece is just as much a treat. Great job, ladies!
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